Meiji prints
| Design: | Yamamoto Shōun (1870-1965) | |||||
| Print title: | Seashore | |||||
| Album/series title: | Shiki no Nagame (Scenes of the four seasons) | |||||
| Size: | 20.5 x 30.2 cm (ōban) | |||||
| Original woodblock print | ||||||
| Photography: | Jacques Commandeur |
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Special effects: embossing (kara-zuri) on the sea surface; metallic pigments on the collar of the lady on the left, and on the hairpin and obi of the lady on the right.
Published in 1906 by Matsuki Heikichi.
This print has a vertical fold in the middle as it is part of an orihon (i.e., folding album).
Artist’s signature and red seal in the lower right area of the print:
| Character | Reading | Meaning | Translation |
| 昇 | shō | rise | |
| 雲 | un | cloud | Shōun |
Series title in right margin:
| Character | Reading | Meaning | Translation |
| 四 | shi | four | |
| 季 | ki | seasons | |
| 能 | no | ’s | |
| な | na | ||
| 可 | ga | Scenes of the | |
| 免 | me | scenes | four seasons |
Followed by print title:
| Character | Reading | Meaning | Translation |
| 海 | umi | sea | |
| 辺 | be | ’s | Seaside |
References
- Abe, Setsuko. Yamamoto Shōun. Prints of beautiful women of new customs and manners. Andon 41, 1992, pp. 19-21.
- Harris, Frederick. Yamamoto Shōun (1870-1965). Andon 66, 2000, pp. 28-36.
- Hokkaidō Obihiro Museum Of Art (1998). Meiji no ukiyo-e hanga (Ukiyo-e woodblock prints of the Meiji period). Hokkaidō: Hokkaidō Obihiro Museum Of Art and Hokkaidō Shinbun Press.
- Merritt, Helen, and Yamada, Nanako (1992). Guide to Modern Japanese Woodblock Prints: 1900 - 1975. Honolulu: University of Hawai’i Press.
- Narazaki, Muneshige, ed. (1990). Ukiyo-e Masterpieces in Western collections. The Robert O. Muller Collection. Tokyo: Kodansha International.
- Newland, Amy Reigle (2021). Printed and painted. The Meiji art of Ogata Gekkō (1859-1920). Leiden: Hotei Publishing.
- Ōta Memorial Museum of Art (2006). Yamamoto Shōun. Special Exhibition Collection of the Museum of Art, Kochi. Tokyo: Ōta Memorial Museum of Art.
Provenance: Art Shop Ezoshi in Kyoto, with many thanks to Chris Uhlenbeck of Hotei Japanese Prints for finding this album for me during his autumn 2025 visit to Japan