Shin Hanga prints


  Design: Paul Jacoulet (1896-1960)  
  Title: Beauté Japonaise moderne. Kobé.  
  Size: 39.3 x 30.2 cm (dai ōban)  
  Original woodblock print    
  Photography: Jacques Commandeur
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Jacoulet Beaute Japonaise moderne Kobe

Enlargement


Special effects: bokashi (i.e., colour gradation) on coat and pillows; subtle grain impression of all colour woodblocks except for those applied to the woman’s face and chest.

Published: 2 September 1935.

Watermark with ‘PJ’ in romaji and ‘若礼’ (i.e., Jakurei) in kanji in left margin.

Paul Jacoulet signature in black pencil and red Mandarin Duck seal in bottom right of the print.

Name of the carver in lower left margin:

Character Translation
   
 
Maeda
   
 
 
Kentarō
   
Carver

Print title in right bottom margin: Beauté Japonaise moderne. Kobé

Red seal with total number of editions published and edition number on verso of the print:

Jacoulet Beaute Japonaise moderne Kobe Numbered Seal

in which the kanji read:

Character Reading Meaning Translation
       
hyaku hundred  
go five  
ten  
release 150 editions
zetsu discontinue  
han printing now out of print
       
dai ordinal number prefix  
san three  
ten  
shichi seven  
number number 37


On this print Richard Miles (1982) comments: ‘Not until Le Banni in 1957 did Jacoulet again use the pale colours that suggest uncertainty and vulnerability to this extent. The vivid lips resulted from experiments with colors pressed from berries and flowers. More than most Jacoulets, this rare print is vulnerable to ultra-violet light. Although this Beauté was not popular in her day, she is now among the half-dozen most appreciated works. The stripes on the pillows should be the rosiest of orange, and were laid on by hand.’


References


Provenance: An auction held in April 2013 by the Floating World gallery

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