Edo prints
Design: | Kitagawa Utamaro (1753-1806) | |||||
Title: | Above and below Ryōgoku bridge | |||||
Size: | 37.9 x 25.3 cm (ōban) | |||||
Posthumous printing from newly cut woodblocks | ||||||
Photography: | Jacques Commandeur |
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Originally released ca. 1795-6 by publisher Ōmiya Gonkurō, this version was published around the 1920s by publisher and designer Hashiguchi Goyō (1880-1921) from newly carved woodblocks.
Three ladies are talking and commenting on the scenery below Ryōgoku bridge. On their right we see the paraphernalia of a water seller. These peddlers sold cool, clean water from distant fresh-water springs. This water, which was slightly sweetened, was especially welcome during the hot days of summer.
This is the third print in a spectacular hexaptych of woodblock prints. A simultaneous view of the prints in this hexaptych can be seen here.
Artist’s signature on middle pillar of the railing of Ryōgoku bridge:
Character | Reading | Meaning | Translation |
歌 | uta | poem | |
麿 | maro | you | Drawn by |
筆 | hitsu | writing brush | Utamaro |
Black Iwa seal on the same railing as well as rectangular seal 23-068 of the original publisher Ōmiya Gonkurō containing his name and address: Hon Ōmiya Asakusa Kayamachi. See Marks (2011, p.69).
Red rectangular Goyo publisher seal in left margin of the print.
References
Provenance: Chris Uhlenbeck’s Hotei Japanese Prints