Meiji prints
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Special effects: beautiful burnishing (sho-men-zuri) on the woman’s black obi.
Published in Meiji 30 (1897) by Akiyama Buemon.
This print has a vertical fold in the middle since it is part of an orihon (i.e., folding album).
Artist’s name in lower right of the print area:
| Character | Reading | Meaning | Translation |
| 輝 | kagaya(ku) | shine | |
| 方 | kata | person | Terukata |
Series title in pink cartouche in right margin:
| Character | Reading | Meaning | Translation |
| 千 | sen | thousand | |
| 種 | shu | type | |
| の | no | ’s | A thousand |
| 花 | hana | flower | types of flowers |
Publishing date and publisher’s address and name in lower left margin:
| Character | Reading | Meaning | Translation |
| 明 | mei | light | |
| 治 | ji | government | Meiji era, |
| 十十十 | san jū | thirty | |
| 年 | nen | year | the 30th year (= 1897) |
| 月 | gatsu | month | |
| 日 | ka | day | |
| 印 | in | stamp | |
| 刷 | satsu | ||
| 臨 | rin | confront | |
| 写 | sha | copy | |
| 印 | in | stamp | |
| 刷 | satsu | ||
| 同 | dō | same | |
| 年 | nen | year | |
| 月 | gatsu | month | |
| 日 | ka | day | |
| 発 | hatsu | emit | |
| 行 | kō | go | |
| 発 | hatsu | emit | |
| 行 | kō | go | Printed and published |
| 人 | jin | person | in 1897 |
| 東 | tō | east | |
| 京 | kyō | capital | |
| 市 | shi | city | Tokyo city, |
| 杲 | kō | clear | |
| 橋 | hashi | bridge | |
| 区 | ku | district | Kōbashi district, |
| 室 | muro | greenhouse | |
| 丁 | chō | quarter | Muro quarter, |
| 三 | san | three | |
| 丁 | chō | house block | |
| 目 | me | count suffix | 3rd house block, |
| 九 | kyū | nine | |
| 番 | ban | number | |
| 地 | chi | earth, land | number 9, |
| 秋 | aki | autumn | |
| 山 | yama | mountain | Akiyama |
| 武 | bu | military | |
| 右 | u | right | |
| エ | ku | artisan | |
| 門 | mon | gate | Buemon |
This is followed by Kokkeidō publisher seal 20-001, see Marks (2011, p. 58).
References
Provenance: Chris Uhlenbeck’s Hotei Japanese Prints