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Design: |
Hashiguchi Goyō (1880-1921) |
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Title: |
Woman combing her hair |
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Size: |
43.0 x 31.5 cm (dai oban) |
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Posthumous printing from newly cut woodblocks |
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Photography: |
Theo Janssen |
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Enlargement
Special effects: fine purple mica background.
Original publishing date, and artist’s name in upper left of the print:
Character |
Reading |
Meaning |
Translation |
|
|
|
|
大 |
tai |
big |
The 9th year |
正 |
shō |
correct |
of the |
九 |
kyū |
nine |
Taishō era |
年 |
nen |
year |
(= 1920), |
三 |
san |
three |
the third month |
月 |
gatsu |
month |
(= March 1920) |
Followed by Goyō seal:
in which the three kanji read:
Character |
Reading |
Meaning |
Translation |
|
|
|
|
五 |
go |
five |
Picture |
葉 |
yō |
leaf |
by |
画 |
ga |
picture |
Goyō |
This print is a 60th anniversary commemorative edition, sanctioned by Goyō’s family, and published in December 1981.
Name of editor in left margin:
Character |
Reading |
Meaning |
Translation |
|
|
|
|
監 |
kan |
keep watch over |
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修 |
shū |
master |
Editor: |
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|
|
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文 |
bun |
text |
|
学 |
gaku |
science |
|
博 |
haku |
extensive |
doctor of |
士 |
shi |
scholar |
literature |
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|
|
|
楢 |
nara |
oak |
|
崎 |
saki |
cape |
|
宗 |
shū |
religion |
Narazaki |
重 |
shige |
heavy |
Muneshige |
Names of publisher, printer, and carver of this later edition in lower left margin:
Character |
Reading |
Meaning |
Translation |
|
|
|
|
丹 |
tan |
red |
|
青 |
sei |
blue |
|
社 |
sha |
company |
Tanseisha |
版 |
han |
edition |
Edition |
|
|
|
|
摺 |
su(ru) |
rub |
|
匠 |
shō |
artisan |
Printer: |
橋 |
hashi |
bridge |
|
詰 |
tsu(meru) |
cram |
|
光 |
hikari |
light |
Hashizume |
男 |
otoko |
man |
Mitsuo |
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|
|
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彫 |
ho(ru) |
carve |
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匠 |
shō |
artisan |
Carver: |
植 |
u(eru) |
plant |
|
谷 |
tani |
valley |
|
貞 |
tei |
chastity |
Uetani |
雄 |
yū |
male |
Sadao |
References
- Narazaki, Muneshige, ed. (1990). Ukiyo-e Masterpieces in Western collections. The Robert O. Muller Collection [Hizo ukiyoe taikan. Muraa-korekushon]. Tokyo: Kodansha International.
- Newland, Amy Reigle, and Uhlenbeck, Chris, Eds. (1990). Ukiyo-e to Shin Hanga. New York: Mallard Press.
- Newland, Amy Reigle, and Shinji, Hamanaka (2000). The female image. Leiden: Hotei Publishing.
- Newland, Amy Reigle, ed. (2004). Printed to Perfection. Twentieth-century Japanese Prints from the Robert O. Muller Collection. Amsterdam: Hotei Publishing, in association with Sackler Gallery/Smithsonian Institution.
- Stephens, Amy (1993). The New Wave: Twentieth-century Japanese Prints from the Robert O. Muller Collection. London: Bamboo Publishing.
Provenance: A shop in the Kanda district of Tokyo, and thanks
to the wonderful help of David Bull who also translated
the kanji concerning editor Narazaki Muneshige for me on this print.