| |
Design: |
Hashiguchi Goyō (1880-1921) |
|
| |
Title: |
Woman combing her hair |
|
| |
Size: |
43.0 x 31.5 cm (dai oban) |
|
| |
Posthumous printing from newly cut woodblocks |
|
|
| |
Photography: |
Theo Janssen |
|
Enlargement
Special effects: fine purple mica background.
Original publishing date, and artist’s name in upper left of the print:
| Character |
Reading |
Meaning |
Translation |
| |
|
|
|
| 大 |
tai |
big |
The 9th year |
| 正 |
shō |
correct |
of the |
| 九 |
kyū |
nine |
Taishō era |
| 年 |
nen |
year |
(= 1920), |
| 三 |
san |
three |
the third month |
| 月 |
gatsu |
month |
(= March 1920) |
Followed by Goyō seal:
in which the three kanji read:
| Character |
Reading |
Meaning |
Translation |
| |
|
|
|
| 五 |
go |
five |
Picture |
| 葉 |
yō |
leaf |
by |
| 画 |
ga |
picture |
Goyō |
This print is a 60th anniversary commemorative edition, sanctioned by Goyō’s family, and published in December 1981.
Name of editor in left margin:
| Character |
Reading |
Meaning |
Translation |
| |
|
|
|
| 監 |
kan |
keep watch over |
|
| 修 |
shū |
master |
Editor: |
| |
|
|
|
| 文 |
bun |
text |
|
| 学 |
gaku |
science |
|
| 博 |
haku |
extensive |
doctor of |
| 士 |
shi |
scholar |
literature |
| |
|
|
|
| 楢 |
nara |
oak |
|
| 崎 |
saki |
cape |
|
| 宗 |
shū |
religion |
Narazaki |
| 重 |
shige |
heavy |
Muneshige |
Names of publisher, printer, and carver of this later edition in lower left margin:
| Character |
Reading |
Meaning |
Translation |
| |
|
|
|
| 丹 |
tan |
red |
|
| 青 |
sei |
blue |
|
| 社 |
sha |
company |
Tanseisha |
| 版 |
han |
edition |
Edition |
| |
|
|
|
| 摺 |
su(ru) |
rub |
|
| 匠 |
shō |
artisan |
Printer: |
| 橋 |
hashi |
bridge |
|
| 詰 |
tsu(meru) |
cram |
|
| 光 |
hikari |
light |
Hashizume |
| 男 |
otoko |
man |
Mitsuo |
| |
|
|
|
| 彫 |
ho(ru) |
carve |
|
| 匠 |
shō |
artisan |
Carver: |
| 植 |
u(eru) |
plant |
|
| 谷 |
tani |
valley |
|
| 貞 |
tei |
chastity |
Uetani |
| 雄 |
yū |
male |
Sadao |
References
- Narazaki, Muneshige, ed. (1990). Ukiyo-e Masterpieces in Western collections. The Robert O. Muller Collection [Hizo ukiyoe taikan. Muraa-korekushon]. Tokyo: Kodansha International.
- Newland, Amy Reigle, and Uhlenbeck, Chris, Eds. (1990). Ukiyo-e to Shin Hanga. New York: Mallard Press.
- Newland, Amy Reigle, and Shinji, Hamanaka (2000). The female image. Leiden: Hotei Publishing.
- Newland, Amy Reigle, ed. (2004). Printed to Perfection. Twentieth-century Japanese Prints from the Robert O. Muller Collection. Amsterdam: Hotei Publishing, in association with Sackler Gallery/Smithsonian Institution.
- Stephens, Amy (1993). The New Wave: Twentieth-century Japanese Prints from the Robert O. Muller Collection. London: Bamboo Publishing.
Provenance: A shop in the Kanda district of Tokyo, and thanks
to the wonderful help of David Bull who also translated
the kanji concerning editor Narazaki Muneshige for me on this print.